Sunday, 26 July 2020

#049 A taste of Iceland - Part 1

Iceland may not immediately come to mind as a country of culinary delights. The local delicacies are certainly, shall we say, an acquired taste even for the most intrepid gastronomist. There's the traditional hákarl (fermented shark) with it's pungent ammonia odour. Best washed down with neat Brennevin schapps, for an equally direct assault with a hint of anise to keep you coming back for more.

Meat

Then there's slátur . If you think that sounds like slaughter, then you'd be correct. Slátur is made from the innards of sheep into something like blood pudding. However, there is so much more to food in Iceland than these unconventional headliners. Cattle, horses and sheep were brought to Iceland by Viking settlers. In the harsh climate, short growing season and with the prolonged winter gales, animal products originally dominated their diet. They were subsistence farmers who's stories, lives, loves, expeditions and feuds were later recorded in the thirteenth century Sagas literature.


Vegetables

Vegetable cultivation increased, by necessity, during the 17th Century Napoleonic wars when merchant ships stayed away. However, vegetables did not become a significant part of the Icelandic diet until the 19th Century. The town of Hveragerði is renowned for harnessing geothermal energy from just below the thin volcanic crust, to heat industrial scale greenhouses and grow vegetable varieties which would otherwise be unviable at 66 degrees north. At sunrise the first light glinting off the multitude of glass panels can be seen from Route 1 several kilometres away. A local tour guide once joked with me that Iceland is the most northern banana republic.

Fish

Fish has been vital to Icelanders, from the early settlers to it's modern economy and not only from the obvious source of protein and oils. In the Saga era, animal leather was a scarce commodity so the Vikings turned to fish skin to make shoes. Journeys across the abrasive lava fields were measured in the number of shoe soles that would be worn out. Atlantic fish skin leather is currently experiencing a renaissance within the Icelandic fashion industry to make distinctive footwear, handbags and wallets.

Fishing

The rich cod and herring grounds off east Iceland attracted the French fishing fleet from the 17th Century. This peaked during the 19th Century with over 200 ships and a French hospital maintained in the town of Fáskrúðsfjörður near Djúpivogur. Icelanders have for hundreds of years perfected preservation methods of air drying fish. For the observant traveller, the harðfiskur racks are still a relatively common sight.


Unfortunately, the Icelandic trawler fishing fleet has reduced in recent years. Overburdened with toxic loan investments and escalating debt, many smaller operators were left with little choice but to sell their quota to larger outfits after the 2008 kreppa (the financial crisis resulting from the default of all three of Iceland's major commercial banks). However, fishing and in particular fish processing remains a major source of employment in Iceland and is especially crucial for communities which are more remote from the usual tourist destinations.

Domestic fish consumption in Iceland fluctuates according to shelf and market prices. But even when prices are high, with the exception of the Maldives, Icelanders remain the top consumer of fish per capita in the world. (Source: https://www.helgilibrary.com/indicators/fish-consumption-per-capita/ ).

Eating Out

In common with Scandinavian countries, eating out in Iceland comes at a premium and according to urban legend, you may need a second mortgage to enjoy a bottle of wine with your dinner. In reality it's not that bad. Certainly, if you're sitting in a swanky Reykjavik restaurant near Laugavegur, then expect to pay city centre prices, as you would in any European capital.


Franchises

Much of the extra cost comes as a result of the price of living and the fact that most products and manufactured goods have to be imported to this relatively remote island in the North Atlantic. Take for instance McDonald's. I baulk at discussing good food and Maccy D's in the same sentence but stay with me one this. A few years ago there was a franchise in Reykjavik which initially did well. A franchise licence condition was that the franchisee bought all the menu ingredients from the overseas McDonald's supply chain. Then came the kreppa. The Kronur was devalued, import costs rocketed and profit margins were decimated.

Jon Gardnar Ogmundsson, a key figure in the Icelandic McDonald’s scene at that time, said,

“It just makes no sense. For a kilo of onion, imported from Germany, I’m paying the equivalent of a bottle of good whiskey.”
(Source: https://medium.com/better-marketing/why-mcdonalds-failed-in-iceland-769544c08898 )

The irony is that Iceland is really good at producing good quality meat, in conditions which are far more ethical than factory farmed animals. Soon after McDonald's pulled out of Iceland in 2009, the proprietor restarted under his own banner using more locally sourced ingredients.

International franchises don't tend to do well in Iceland. But then, why would you want to pour your holiday spending money into the coffers of tax dodging corporates, rather than savouring local flavours and supporting the community economy at its roots?

Inspiration

With a little extra shoe leather effort, or should that be fish leather, its not too difficult to find great quality places to eat at a moderate prices. Over the last 20 years, I have visited Iceland many times: As a hotel based tourist with Dolores (before her illness made overseas travel to arduous). Also organising my own self-led 4x4 adventures and as a professional expedition group leader.


The following meals and recipes are all inspired by my journeys across the length, breadth and interior of the superb, the wonderful, the captivating, Iceland.

Fiskisupa: 
Fish soup, hey ho, what's so special about that? Well, even though I do really like fish, when I first tasted this recipe, it was surely the best thing ever!

It was 2009, Dolores and I had taken the Toyota Hilux over to Iceland for a four week expedition.

The previous day, I had summited Hvannadalshnjúkur. A pyramidal nunatak, on the glaciated northwestern rim of the summit crater of the Öræfajökull volcano in Vatnajökull National Park.


It had been a tough climb, from sea level to 2110 metres and back down in the same day, with climbing partner Tony who I rendezvous with at Skaftafell and Mountain Guide, Siggi.


After a good sleep back at Kirkjubæjarklaustur Hotel (locally shortened to Klaustur) and with a equally good appetite, Dolores and I made a short drive up the road to Systrakaffi (Sister Cafe). Their soup was a feast for the taste buds, flavours of the sea combined with a lovely creaminess, which left me going back for a second bowl.

Ingredients:
Serves 6
1.5 lb Fish: Any combination of white fish, salmon, prawns, shell fish will be equally good.
2 tablespoons butter
2 tablespoon olive oil
2 onions, diced
4 cloves garlic, mashed
2 tins chopped tomatoes
2 tablespoons tomato paste
32 ounces fish stock
3 or 4 potatoes, 1" chunks (optional)
1 cup double cream
1 teaspoon salt

Instructions:
1) Large pot, medium heat, melt butter & olive oil
2) Add onion, cook 7 mins
3) Add garlic, tomato paste, salt, stir well, cook 2 mins
4) Add stock, tins tomatoes, potato chunks, cook 15-24 mins
5) Add fish selection and gently cook thought, 10-15 mins depending upon thickness of fillets.
6) Add prawns / shellfish for the last 5-7 mins.
8) Should have the consistency of a quality soup or broth. If too thick, add some further chopped tomatoes.
7) Turn off heat and swirl in double cream
8) Serve soup with crusty bread



Plokkfiskur:
Fish Stew, this was another first. We had journeyed across the interior Kjolur F35 route to spend a few days exploring the north, the magnificent waterfalls of Goðafoss and Dettifoss, as well as Lake Mývatn and the surrounding geothermal highlights. It was at the village of Reykjahlíð, we stopped for lunch at a popular cafe-restaurant. The Plokkfiskur, a combination of flaked white fish and creamy mash potato, served with rye bread, did a fabulous job of setting us up for the remainder of the day. It was so good we intentionally drove by a couple of days later for some more.


On a subsequent city break, we looked up a favourite haunt, Þrír Frakkar restaurant in the 101 district, Reykjavik. I had seen Plokkfiskur au Gratin on their menu. It did not disappoint, indeed it was sublime. It's their recipe that I pay tribute to here:

Ingedients:
Serves 6
1 yellow onion, finely chopped
50g butter
10ml plain flour
500g potatoes boiled
500g cod or haddock poached
40ml milk and fish stock
salt and pepper

Instructions:
1) Boil potatoes (skin off)
2) Boil water, add salt and fish, cover. Turn off heat 8-9 mins.
3) Stand. Remove fish, keep water for stock.
4) Cut potatoes into bite size pieces.
5) Flake the fish
6) In an empty pan, add butter & onion on a medium heat. Simmer until onion turns clear. Sit in flour and gradually thin with stock and milk (ratio 1/3 stock : 2/3 milk) to the consistency of gravy or a good soup.
7) Add the cut potatoes, flaked fish and stir loosely together
8) Salt & pepper, season to taste.
9) For Gratin version, transfer mixture to a oven proof bowl. Add grated cheddar cheese on top and put into hot oven for 15-20 mins. Until cheese is melted and just colouring in the heat.
10) Serve with rye bread.


Pönnusteikt Steinbítsflök á rjómapiparsósu:
Grilled fillet of cat fish with creamy pepper sauce and caramelised potatoes.

This one came recommended via a review in the Lonely Planet guide. So on our very first trip to Iceland in 2001, we walked through the sleepy backstreets, below the skyward sweeping spire of Hallgrímskirkja. In front, a bronze statue of Leif Erikson looks westward towards his discovery of America, half a millenium before Christopher Columbus. Then along Baldursgata to find Þrír Frakkar. The name, a Icelanic play on words - three Frenchmen, three coats, or something like that, gave an indication of the delightful quirkiness inside. A combination of wood panelling, fishing memorabilia and images of old Reykjavik. The food is most certainly Icelandic, but with a hint of France, perhaps as a doffed hat to the old times when French fleet came into port.


For me Þrír Frakkar, is my all time favourite restaurant. Going back feels like a kind of home coming. A rare and special feeling, outside of the Peak District. I have only savoured elsewhere in East Africa.

Ingredients:
2 fillets of catfish. (Basa makes an affordable and readily available alternative)
1 sachet of Knorr Peppercorn Sauce (Bit of a cheat, but it's quick easy and tasty)
1 Onion, sliced
1 cup milk
2 tablespoons rapeseed oil
Selection of vegetables: Baby carrots, broccoli florets, mange tout
3 potatoes, peeled
5 tablespoons sugar
3 tablespoons butter

Instructions:
1) Cook potatoes until tender (boil 20-25 mins) drain.
2) On medium frying pan. Heat sugar until just melting. Take off heat, stir in butter. Carefully roll in potato pieces. Heat until golden brown.
3) Large frying pan, add oil, medium heat. Add onion. Add fish. Take care not to burn the onions.
4) Prepare sauce according to instructions on packet
5) Steam vegetables, carrots take longer than broccoli and mange tout.
6) Assemble and present.


Icelandic
I hope you've enjoyed the verbal gymnastics of Icelandic words. The language is not far removed from Old Norse. You'll no doubt have noticed it has a couple of special characters and accents .
Þ  said as 'th' in thing. Hence Þingvellir, the site of Icelands ancient parliament (and the world's oldest), is Thingvellir
ð  said as 'th' as in the
á  said as 'ow' as in cow
æ  said as “eye”
í  said as 'ee' as in we
ö  said as “ ur ” as in murder
ú  said as the “ew” sound in yew

Most Icelanders do speak good English. It's taught, along with Danish, at school. However, don't let this stop you having a try. If nothing else it's a great conversation ice breaker (no pun intended) and will no doubt generate some good humoured amusement. It's worth also mentioning that if you're invited into someones house, it's good manners to take your shoes off at the door. If you're fortunate to invite guests to your holiday apartment, it's good from to offer coffee and some sweet pastries.

More Icelandic recipes, stories and reminiscences, to come in Part 2.



























Sunday, 28 June 2020

#048 Tusk Trust Lewa Virtual (Half) Marathon

Well that was a fun Lewa Virtual (Half) Marathon.



Starting in Hayfield, my route ascended steadily for 30 minutes up the Pennine Bridleway to South Head. 



The hill had sheltered me from the southerly wind, but once jogging along to Rushup Edge, the forecast for heavy showers proved accurate and I paused to put on my jacket. 



Warm summer humidity returned after the shower, so jacket off  and over the habitat conserving slabs to  the Brown Knoll 569m trig point.



But not 5 minutes later and dark clouds rolled in from the valley and another heavier shower arrived. This was the established pattern for the day. I pressed on to the saddle at the top of Jacob's Ladder.



Visibility was down to 30 metres on Kinder, but I knew the route off by heart having walked and guided up there for several years. I paused in the lee of a rock near the 633m Trig Point for a snack. A few folks in passing by were quizzically looking at mobile phone apps. 



Frustratingly, my own phone touch screen didn't want to cooperate with my video plans to do a short piece to camera about the successes of Tusk Trust over the past 30 years and the challenges currently faced by Lewa Wildlife Conservancy due to Covid-19.



Perhaps with a little imagination the hills in the mist could be taken for the foothills of Mount Kenya...or maybe not.

But there was enjoyment in remembering running in Lewa for real back in 2008. It still ranks as one of the best experiences of my life. From the start which was delayed by 15 minutes while the safety team ushered away a pride of lion from the course overseen by helicopter and super cub spotter plane. A couple of days previously I had joined a guided training run in the Aberdares seeing giraffe and zebra from the trail.  



At the time, the Lewa Safaricom Marathon was the only marathon held inside a game reserve. Mount Kenya is a magnificent presence on the skyline, at daybreak its steep slopes glow orange and pink. Early morning is a joy in Kenya. For the first half marathon circuit running was free and easy. But while the elites were finishing their 42.2km, for everyone else on the full marathon the African sun burned like a torch, stealing the oxygen from every breath.

My finishing time of 4h 18min was a footnote compared to the inspirational local professionals but it was good enough to be the 7th fastest non-Kenyan

The t-shirt I have on for the 2020 Lewa Virtual Challenge is the one from the race goody bag, carefully kept for a special occasion. I think this was a good time to wear it.

Onwards, following the Pennine Way northwards. Another persistent shower but the gritstone felt sure underfoot. Past the blown back spray from Kinder Downfall. The weather had kept most of the usual Saturday walkers at home. I was grateful for unimpeded progress as the rain intensified into a deluge and wind picked up. 




But this was no time to slacken off and get cold. Just another ten minutes to the top of Sandy Heys and then a careful descent over saturated slopes and through run off water, to Kinder Reservoir.
No defassa waterbuck or sitatunga here, but I did catch a glimpse of a lovely roe deer in red summer coat.




Then it was a bob back into Hayfield and home well before the afternoons thunderstorm forecast. 




Over the past 30 years Tusk Trust and Lewa Conservancy have set the gold standard in partnering wildlife conservation with communities and education. Millions of hectares have been secured for wildlife, with investment in jobs and training for local people to protect inconic species such as rhino, elephant, lion, cheetah, African wild dog, gorilla and chimpanzee.


Everyone is affected by Covid, but wildlife especially so, with complete loss of tourism revenues in Africa. This is impacting on Ranger anti-poaching and security operations as well as conservation projects.
I'm proud to support Tusk Trust so that future generations can experience the sight of elephant in the shimmering heat and the roar of lions in the night.


I've made a donation through Tusk Trust for this virtual run, but with so many friends struggling at the moment, I've not set up a just giving page or such like. It just didn't feel right to do so. But if you would like to support Lewa and Tusk conservation projects, I've included a link here... 


https://www.tusk.org/donate/

Thank you & safari njema

Stu


#TuskLewaSafariChallenge #LewaSafariMarathon #RunWildKenya

Monday, 1 June 2020

#047 Skara Brae - The Neolithic Shelved Stone Dresser


At last, long term project is finished!

I first visited Skara Brae in 2013 to make a short documentary about the transition from Mesolithic hunter gatherers to new stone age, Neolithic, farmers. In the film we explore several sites and discuss the practical and cultural changes brought about by the domestication of animals and plants in Britain, 6000 years ago. I received special permission from Historic Scotland to film at Skara Brae.

The Skara Brae piece starts at 5mins 55sec and the best preserved original shelved stone dresser located in 'House One' is shown shortly afterwards. At 6mins 55sec is the replica house, situated next to the visitor centre, which has a shelved stone dresser laid out if it were used for food preparation.


Link to Neolithic Orkney Film

We can't be sure whether the dressers were used solely for preparation. Its location within the house, always directly opposite the entrance and the shelves suggest it may have also have a display purpose. The occupants showing off their finest possessions, such as the curious etched stone balls which have been found on the site, the use of which remains an enigma. We'll return to these in another blog. The shelf would have been useful as place to keep the fine items such as bone needles from becoming lost or broken on the floor.


Or perhaps the dresser was a multi-functional installation. The top for food processing. The shelf for storing items. And the space underneath for stacking dried wood before burning on the central hearth.

Setting out, on a compacted and levelled base. A substrate of rubble for stability overlaid with ten-to-dust crushed limestone. The three verticals are proportionally spaced to suit the size of the pre-sourced shelf stones.

Using the sizes of available stones to build up dry courses and strength through a stretcher bond where possible. The stone used is responsibly sourced, recycled, local Peak District sedimentary sandstone. In Orkney, abundantly available flagstone was the material of choice in the Neolithic passage tombs and settlements. But also very evident in the later Iron Age Broch towers. Both Peak District and Orcadian sedimentary rocks can be cleaved along settlement planes, but flagstone is much easier to work in this respect.

I don't profess to be a dry stone wall expert, so here I used a diamond edge disc cutter to reduce a large slab to three full width pads for the lower layer shelf stones. No thumb damage or trip to A&E  on this occasion either, bonus! Also, to achieve an authentic Skara Brae dresser appearance, on the middle wall, I placed a stone vertically on its end. Then carefully built up the courses behind, to match the natural topography of the rear face of the front stone. A pad stone was then laid on top.

At the point when I was ready to place the first layer of shelf stones Covid-19 had caused the Government to place Britain in lockdown, hence I couldn't bring in some additional muscle. The shelf stones were more than a one man lift (at least more than I could dead lift...and no evoking the late Jon Pall Sigmarsson could make up for that). So, I slid each shelf stone along the ground, to the front, then rocked and chocked it progressively upwards until it could be cantilevered over and lowered under control onto the pads.

Note how the heavy first layer of shelf stones exerts pressure onto the central pad, which locks the central vertical stone in position.

Building up the shelf layer of stones. Trying to achieve a level surface across the back and three walls so that the top shelf cap stone sits evenly and flat. At this point work was on placed on hold with the ongoing lockdown, as the weight of top cap stone was beyond safely rocking and chocking.

A few weeks later and lockdown lifted. Assisted by good friend Davey, we achieved a socially distanced lift (one at each end) of the top cap stone.

Completed re-creation of the Skara Brae, Neolithic Shelved Stone Dresser. With a suggestion of how the shelves and space under the dresser may have been used. The stone dressers are unique to Orkney, but the culture of building dressers at the time is expressed in different parts of Britain. Excavations at Durrington Neolithic 'avenue' in Wiltshire have provided compelling evidence...

This extract from Stonehenge: Exploring The great Stone Age Mystery, by Mile Parker Pearson.

Against the north wall of the large house, opposite the doorway, were foundations of a piece of wooden furniture, narrower than the beds, with two end uprights and another in the centre. Thanks to the surviving stone built Orcadian furniture, we know exactly what this was - a wooden 'dresser' formed of two shelves, one on top of the other, and divided into left hand right hand sides. Perhaps this is where the house's special belongings were kept, or the clothes and fabrics.

This indicates the shape and structure of the dresser, and by extension the layout of the house was culturally significant. But the building materials were simply what what most readily available, locally. Wood was very scarce on Orkney in the Neolithic, indeed it still is to this day. Whereas in southern England, wood was far more abundant and Wiltshire chalk does not stratify or cleave at all well, though Orcadian flagstone does.

I'm looking forward to using the dresser to lay out drinks and food, when gatherings are once again fully permitted after Covid-19.

Meanwhile, it makes a nice background prop for Stone Age Crafts, Hand Made In Hayfield. Showing here are Paleolithic, Neolithic and Bronze Age inspired images and pictograms.

Link to Stone Age Crafts Hand Made In Hayfield

Sunday, 24 May 2020

#046 A taste of Tanzania and Kenya - Part 2

In part 2, of our culinary journey continues through East Africa.

We begin in Tanzania. A country of superlatives and one which has given so many happy experiences, meetings and adventures. So much so, that I consider it a spiritual home. Each time I arrive, the moment I step off the aircraft, the smell of the red dust, huge sky and heat, makes me unspeakably happy.

Then we head west to the land of a thousand hills, Rwanda.
To some extent still in the shadow of 1994 and learning to live with lessons which all of humanity should never forget.

However, Rwanda is a beautiful country. The capital Kigali is the most scrupulously clean I have seen almost anywhere, including many European cities. This is partly due to Umuganda, held on the last Saturday of every month, where members of the community join together to clean and tidy their streets and towns. This is not a volunteer project, it's compulsory, borne out of the Rwandan tradition for self-help and co-operation.  Rwanda has pioneered laws to reduce plastic waste and was one of the first countries in the world to impose a blanket ban on the import, production, use or sale of plastic carrier bags. Tanzania and Kenya have since followed suit.

We conclude this edition on the Swahili coast, at Kipepeo, just south of Dar. Here a warm breeze mingles with the fresh sea air and light scent of a charcoal braai carries over the golden sands. Perhaps we have just arrived after a long journey along the TanZam highway after a safari in Mikumi National Park and seeking the charismatic African painted dogs (Lycaon pictus) in Ruaha.


Or we may have arrived from the north. After trekking along the Crater Highlands, from the stunning Ngorongoro crater through Masai lands to their mountain of God, Ol Doinyo Lengai.

Tomorrow, we have our alarm set for sunrise. To run along the miles of beach with the local lads, enjoying the stillness and tranquility as the light turns from purple, to pink, then cadmium.


But for now, we turn to the bar and seek another bottle of Kilimanjaro beer.

Sukuma Wiki

Ingredients:
2lb   Sukuma greens (collared greens) chopped. I used spring greens
1  Onion, chopped
2  Tomatos, chopped
2 tablespoons   Vegetable oil
Salt

Instructions:
1) Heat oil, add onion and saute
2) Add tomato and saute for 2 mins
3) Add greens and saute for 2 mins
4) Add 100ml water and salt, simmer for 5-10 mins
5) Serve with Ugali or Rice


This dish is very simple and quick to prepare. 
Makes a nice accompaniment to a main meal, as seen here with pan fried salmon and saute new potatoes. 


Igisafuliya (Rwanda)
Igisafuliya literally means 'pot' in Kinyarwandan
Timings can be reduced for a vegetarian version, to keep the distinct textures and colours of ingredients.

Ingredients:
4   Chicken thighs (I left this out, for a vegetarian version)
2   Onions, chopped
2   Leeks (white and green parts), thinly sliced
4   Green bell peppers, seeded and cut
4   Tomatoes, peeled, seeded and diced (I used a tin of chopped tomatoes)
5   Celery stalks, chopped
6   Plantain bananas, sliced 1/4 length ways (I didn't have plantain, just slightly green bananas. So fried these separately until slightly caramelised then added to the top of the Igisafuliya on serving)
10oz   Spinach
3 tablespoons   Tomato paste
4 tablespoons   Vegetable oil
1   Hot pepper (I used a sprinkling of dried chilli flakes)

Instructions:
1) In a pot, heat oil, sear meat on med-high heat
2) Add onion, leeks, peppers. Stir and leave 10 mins, stirring occasionally
3) Add tomatoes, celery, tomato paste. Mix well, medium heat, 15 mins
4) Cover, add a cup of water, salt, pepper. Boil and then reduce to summer, 15 mins
5) Remove meat, place plantains in pot, cover them with spinach, place meat back on top. Add more water if necessary
6) Add hot pepper. Cover, simmer for 25 mins. Should be a lot of sauce left.



Zanzibar Pizza
Not all pizza is Italian. Zanzibar pizza is legendary and very much part of the Swahili coast culinary culture. Similar to a savoury crepe. It is cooked in a frying pan rather than a pizza oven.

Ingredients Dough:
1 cup   All purpose (plain) flour
1 tablespoon  Salt
2 tablespoons  Vegetable oil
1/2 cup   Water

Fillings:
1   Onion, chopped
2   Tomatoes, diced
Cream cheese
Mayonnaise
Egg
Chilli

Instructions:
1) In mixing bowl, add flour, salt, oil, followed by water. Add enough water to ball the dough. Cover and set aside for 1 hour.
2) Form the base - Oil counter top. Pinch off small piece of dough. Start stretching dough into large disk.
3) Add filling of choice. Include egg, cream cheese, mayonnaise for an authentic Zanzibar pizza.
4) Carefully lift and put into hot pan with a little oil. Cook each side 8 minutes.
5) Serve while or cut into smaller pieces. Serve with chutney.



Zanzibar 'chocolate'
Not chocolate in the European sense. Zanzibar chocolate is more like a sesame bar.

Ingredients:
Sesame seeds
Honey

Instructions:
Toast the sesame seeds in a hot pan.
Do not add any oil, the sesame seeds will release their own oils on heating.
Keep stirring, careful just to toast not burn the seeds
Add runny honey to the pan. Enough to bind the seeds not so much that the seeds are swimming.
Keep stirring, the honey needs to boil for 5 minutes.
Pour the mix onto grease proof paper and leave to set
Cut the Zanzibar Chocolate into triangles, strips or squares for your preferred style.
Served here with natural yogurt and a black cherry coulis (jam 😉 )


Furahiya chakula chako
Enjoy your food, we'll return in Part 3 with more East African delights for you to cook and taste.


Saturday, 23 May 2020

#045 A taste of Tanzania & Kenya - Part 1

There are precious few positives about Covid-19. But one that I have sought out and relished is the time and opportunity to get back to cooking healthy meals. Over winter 2019, I had allowed convenience foods and refined sugars to become too much of a prominent feature of my routine. The saying goes 'you can't outrun a bad diet' is certainly true regarding feeling well and energised.

During lockdown, I looked though pictures of past expeditions and re-lived fond memories and great times in East Africa. I remembered, how well I felt at the end of the longer trips. A month spent in the bush or trekking is great for losing a few kilograms. I would return to the UK and often be able to easily fit my smaller 'post-Africa-set' of clothes.


Trekking, guiding clients and physical work on NGO projects is only part of the story. Manufactured and packaged food with familiar or similar brands are widely available in towns and villages near transport hubs. The simple delight of an Eet Sum Mor shortbread biscuit with Africafe black coffee.

But if you're prepared to source your own ingredients, or look for authentically cooked local food, you can eat very healthily and relatively inexpensively in East Africa.

Tanzanian, Kenyan, Ugandan and Rwandan food has been largely overlooked and passed by on the European table. We're missing out on fresh, amazing, colourful and great tasting meals. Easily prepared and achievable with a handful of ingredients and a few spices.

The spice trade from the Swahili Coast has been a major influence on the region's food style. Later, fusion with European tastes combined to create classics such as masala chips - the Kenyan favourite while heading home after night at the dance club.

So, here's a few recipes to experience a taste of Tanzania and Kenya.

Wali na Maharage (Rice and Beans)

Ingredients:
1 cup   Dried kidney beans (Or do what I did and save lengthy preparation time, by buying a tin)
1 tin    Chick peas (my addition) 
2 cups   Long grain rice (I used Basmati)
4 small   Tomatoes, diced
10   Baby carrots, diced
1/2 large   Onion, dices
2 cloves   Garlic, minced
2 cups   Broth (I used two vegetable Oxo cubes in hot water)
to taste   Cayenne pepper
to taste   Salt
1/2 can   Full fat coconut milk
1 large   Plantain (I used an ordinary banana)
1   Avocado, diced
Vegetable oil

Instructions:
If using tins of kidney beans, go straight to number (4)
1) Soak kidney beans overnight
2) Drain water and add new water to fully cover and salt. Bring beans to the boil on high heat then med-low. Cook until tender. Don't need to be completely soft as they will cook in the sauce.
3) Drain off water, rise and set aside.
4) Saute onion and garlic on med heat until translucent
5) Add diced carrots and tomatoes in pan and saute for another 5 mins.
6) Add beans and chick peas to the pan. Add veg broth until the beans and vegetables are covered.
7) Add salt and cayenne, to taste
8) Cook for an additional 30-45 mins until beans are soft and sauce thickens a bit. Add water if it gets too thick
9) Cook rice
10) Slice plantain (banana) and in a separate pan, fry in oil. 2-3 mins each side until slightly caramelised.
11) Assemble - Pour generous portion of beans and sauce over rice. Drizzle coconut milk on top. Thin slices of avocado and slices of fried banana on top.



Mchuzi wa Samaki (Tanzanian coconut fish curry)

Ingredients:
250g   Salmon cubed
250g   Hake cubes
(Instead of the above. I used Basa, a river fish, as a easily sourced alternative to East African Nile Perch).
1   Onion, sliced
2 tablespoon   Curry powder
1/2 teaspoon   Chilli powder
1 teaspoon   Tumeric, ground
1/2 teaspoon   Coriander, ground
2 tablesooon   Ginger and garlic paste (I used fresh finely grated ginger and mashed garlic)
6   Plum tomatoes, chopped
400 ml   Coconut milk
1 tablespoon   Tamarind paste (I didn't have any of this, so left it out)
A few    Coriander leaves, chopped
2 tablespoons   Vegetable oil
Rice (I used Basmati)

Instructions:
1) Heat oil in pan, add onions, curry powder, chilli powder, tumeric, ground coriander. Saute on low heat until softened for about 7 mins
2) Stir in ginger and garlic paste and cook for another 2 mins
3) Add chopped tomatoes and cook for 5 mins. Stirring so they don't stick to the pan. Add coconut milk and simmer for 30 mins.
4) In separate pan, prepare boiled rice
5) Add tamarind paste and fish, submerge in sauce. Cover and cook, 7 mins.
6) Serve fish and sauce, next to boiled rice
Note: I added a few thin slices of fresh green chilli as a garnish
Note: The side dish is Bombay potato and mushroom bhajee

 

Kenyan Masala chips

Ingredients:
2 tablespoon   Vegetable oil
1/4   Medium red onion, finely chopped
1   Tomato, diced
1   Serrano chilli (I used a medium green chilli) seeded and finely chopped
2 cloves   Garlic, minced
1 1/2 teaspoon   Garam Masala (I didn't have any of this, so used all spice and cumin)
1/4 teaspoon   Tumeric
1/2 teaspoon   Ground cumin
1 teaspoon   Lemon juice
2 tablespoons   Coriander fresh, chopped
1 lb   Chips, cooked, hot
To taste   Salt


Instructions:
1) Heat oil in large pan med-high heat. Add onion and cook for 5 mins until brown
2) Add tomato, coriander, garlic, stir well, cover, cook 5 mins until tomato is soft
3) Add garam masala, tumeric, cumin. Stir, reduce heat, cook for another 10 mins or until sauce clings
4) Stir in lemon juice and coriander
5) Add chips, salt. Toss well to coat. Serve immediately



Kachumbari

Ingredients:
2    tomatoes, sliced
1/2   Red onion, large, diced
1 or 2   Jalapenos (I used medium green chilli) seeded, diced
1   Cucumber, medium, diced
1 or 2 cloves   Garlic, minced
Juice from 1 lime
To taste   Chopped fresh coriander or parsley
To taste   Salt and black pepper
Optional: 2 beef tomatoes, thickly sliced
Optional: 1 or 2 Avocados, mashed, diced or sliced. Add lime to retain colour

Dressing:
1 clove   Garlic clove, minced
1/4 cup   Olive oil
2 tablespoon   Lemon juice, fresh squeezed
2 tablespoon   Balsamic vinegar
1 tablespoon   Honey
2 tablespoon   Fresh parsley and basil, chopped
Salt and Pepper
Blend
(I didn't have enough ingredients for the above dressing, so used mayonnaise)



Ice and Africa Fusion dessert

Ingredients:
1 tablespoon   Vegetable oil
1   Banana, sliced and fried until slightly caramelised
1 tub   Icelandic Skyr natural unflavoured yogurt
1 scoop   Paul Wallis' East Yorkshire, set honey


Furahia chakula chako




Tuesday, 12 May 2020

#044 Recreating the Star Carr Mesolithic pendant

Following my recent archaeology blog topics and as Covid-19 lockdown is unfortunately still with us, I have continued my studies with a short course on the Mesolithic hunter gathers of Star Carr, by Future Learn / University of York.

Star Carr is a unique archaeological site of world heritage importance in North Yorkshire, dating back 11,000 years. It was continuously, or near continuously, occupied for 800 years.

Antler frontlet headdress
The artefacts at Star Carr have redefined preconceptions of hunter gatherer life in the middle stone age. Enigmatic finds such has red deer antler headdresses (the frontlets are displayed in the Rotunda Museum, Scarborough) and an exquisitely carved pendant, indicate a society which had capacity to  devote time and energy to creativity and ritual. A group, or tribe, which did so much better than living on the edge of existence.
Star Carr today
I visited Star Carr a couple of years ago. The area nowadays is an unassuming area of arable farmland. But back in the Mesolithic there was a large lake, left as glaciers retreated at the end of the last ice age. It was surrounded by birch and willow forests, with reeds at the shore edge. Undemanding, pioneer species which thrived on thin, poor soil. The hunter gatherers shared their wild environment with aurochs (wild bovines), roe and red deer, elk, boar, bear and wolf. On the lake people fished for perch and pike using barbed point harpoons.

This superb atmospheric CGI reconstruction of Star Carr, by Anthony Masinton, was created for the Star Carr Archaeology Project:

Yorkshire 9000BC


At that time, with ice still locked in the receding glaciers, the sea level was much lower than today and the British land mass was connected to the continent, by a vast plain we call Doggerland. As more ice melted and sea levels rose, Doggerland became an island surrounded by salt marsh. A recent hypothesis suggests much of the remaining coastal land was flooded by a megatsunami around 6200BC, caused by a submarine landslide off the coast of Norway, known as the Storegga Slide.

Doggerland - Picture credit https://www.thetimes.co.uk/article/doggerland-the-fertile-paradise-that-joined-uk-to-europe-emerges-from-sea-bed-t5t389ktl
Tony Robinson discusses this in the 2013 Time Team Special:
At 35 mins, features Star Carr artefacts presented by Director Of Archaeology, Dr. Nicky Milner and Time Team's Phil Harding.

Britain's Stone Age Tsunami


Star Carr was too far inland to be affected by the tsunami. But over time, Lake Flixton became a paleolake. As plants at the lake edge lived and died, hydroseral succession took place; peat formed and detrital muds accumulated. The shore of the lake edged inward and the depth became shallower, until it was little more than a swamp.

This peat, with its high water content, low oxygen levels and slightly acidic pH, prohibited biological decomposition and preserved the wood, antler and bone artefacts which were deposited into the lake. Items which under normal conditions would have been broken down by bacteria, microbes an fungi in just a few years. It is this rare combination of circumstances which makes Star Carr so special.

Star Carr beads
But, why did our ancestors place such importance upon deliberate deposition of their possessions into the lake? We can only guess, but it seems likely this was associated with a belief system where items such as the deer head dresses, harpoon points, bow and digging sticks, must be returned to water, by votive offerings. The surface of the lake perhaps represented a membrane to a spiritual realm. Not all of the artefacts had been used. Laboratory examination showed no signs of wear on some.

Star Carr pendant - picture credit starcarr.com
Among the artefacts found at Star Carr was a number of beads and an incredibly rare pendant, engraved with a barbed line motif. Mesolithic art worldwide is extremely uncommon, the nearest comparison is a style found in Denmark.

Star Carr pendant - illustration Chloe Watson / starcarr.com
This itself is remarkable and suggests some form of trade or exchange of items or ideas even before the Neolithic revolution. However, geographically, let's not forget that at that time there was the Doggerland connection across what is now the North Sea.

Lochbuie, Isle of Mull
I was aware of the Star Carr pendant before I began the Future Learn / York University course. I had it in mind to attempt a recreation of my own (to compliment my series Stone Age Crafts) when I visited the Isle Of Mull at Christmas.


Walking along the sea shore near Lochbuie there are a series of caves, with fresh water cascades nearby. In the Mesolithic, the shore would have been much further away. But, with a little imagination one could picture a scene of strandloping hunter gatherers using the caves as a temporary seasonal camp. Further along I came across a beach of small, flat, pebbles.

Lochbuie pebbles
This was good, the Star Carr beads and pendant were made from pebbles of Lias shale which eroded out of nearby rivers and found along the Yorkshire coast around Robin Hood's bay and Ravenscar. I selected a handful of pebbles, of the right proportions and kept them ready for this project.

Marked up in pencil ready for working
Even with more time on my hands due the Covid-19 lockdown. I still would not have the time available to bore the hole in each bead with a flint burin, as our Mesolithic ancestors would have done. Time would have had a much different meaning in the Mesolithic. The nearest contemporary equivalent that I have experienced is life in remote, subsistence economies in East Africa.

Bush camp in southern Tanzania
For example, the cooking process, from preparation - over an open flame - to serving, takes a very long time. Far removed from the instant electricity and gas hobs we're used to in the UK. It seems no sooner has one meal finished it's not long until it's time to start preparing another. For women in traditional gender based roles, their day starts early, rekindling the fire. Then in between preparing meals, spending time in the fields or at the market, gathering food. Day after day, not an easy life.

Beans for wali na maharage, 24 hours preparation required
It's not too far a leap of imagination and probability that such roles were none too different in the Mesolithic. Where many tasks undertaken by males and females took much longer than we are used to. Add to this the very real danger of broken bones, septic trauma, or a painful death while hunting dangerous animals such as wild aurochs.

Cutting using rotary tool
For my version of the Star Carr pendant, I selected the finest tip cutter for my rotary tool. But even before I started cutting, the marking up process highlighted what exquisite, detailed work had been accomplished on the original pendant. I realised, I could not exactly reproduce the flint etched lines as even the 0.5mm finest tool cutter was too big.

While etching the pendant, even with reading glasses on and being extraordinarily careful, I struggled to see the fine lines.This made me think of a number of inferences and practicalities when the Mesolithic pendant was created...

  • Was it was etched during day rather than night, as the human eye functions better in daylight?
  • Was the creator very short sighted, giving them the aptitude to work the almost vanishing micro-detail with such precision?
  • Was the creator a younger person, with better eyesight than an older person who's eyes with age tend toward long sightedness?
My version of the Star Carr pendant. Length 33mm
In comparison to the original, my attempt is rather crude, however it was fun to do and it raised some interesting and worthwhile questions. What I can say is that the time to burr the hole was several hours quicker than in the Mesolithic. Hoorah for power tools (sometimes)!

So what do the patterns mean? Several possibilities have been proposed: A leaf, map, similarities to Medieval Ogram script (although way, way, too early). Here we step into the realm of speculation.
Windmill Hill etched chalk motifs
For me, the etchings on the Star Carr shale pendant are tantalisingly reminiscent of motives on chalk, dated to the Neolithic, found at Windmill Hill, not far from Avebury, Wiltshire.

In the book 'Inside The Neolithic Mind' the authors (David Lewis-Williams & David Pearce) discuss Neolithic geometric rock cut art and how similar patterns have been produced by modern subjects under a range of psycotropic drugs. The authors go on to discuss that Neolithic imagery is connected with communicating the memory of a shamanic experience.

Credit: Inside The Neolithic Mind - Lewis Williams, Pearce
The etchings on the Mesolithic pendant are similarly geometric, perhaps also reproduced from a shamanic experience. However, I suggest the work here is so fine that it too must have been done after ritual, rather than during it.


The repeatable patterns of consciousness from modern, Neolithic and Mesolithic examples are not 'exactly' the same. But this variation is (using Williams & Pearces's argument) due the individuals brain and influences of cultural cosmology of the time.

"Certain distinctive motifs are complexly derived from the structure and function of the human brain. This shows that human beings are not unthinking photocopiers. Cultural expectations control what people make of their hallucinations"

Similarities in archaeological petroglyphs have been noted from around the world, in civilisations and groups across continents which had no cultural connections. Thus lending further weight to the proposal that these geometric patterns are an artefact of the human brain rather than purely cultural.

Modern Star Carr bead and pendant set.
It's unlikely that we will ever be wholly certain what the markings on the Star Carr pendant represent. However, it is a tantalising glimmer into the creative minds and beliefs of our Mesolithic ancestors.

Stu Westfield
Ranger Expeditions

Credits:
Star Carr Archaeology Project
Future Learn
Yorkshire University - Star Carr Research